Gallery of Kim’s Artwork

Kim stood in the doorway of CentreSpace gallery, Bristol with a pink neon sign above her. Kim's tapestry titled 'Ambivalence' overlayed on a brick wall. A gymnast wearing lycra leggings and a crop top designed by Kim. She balances in a star shape on top of a mans legs. A mock-up of a pink and blue mandala illustration titled 'Shiva Shakti Mandala' on a salmon pink wall with black panels below. The room has pink chairs and a granite stone table with a vase of flowers. Kim stood in front of her large scale tapestry titled 'Prophecy' which contains the words of a long nihilistic poem about fate and chance A mock-up of Kim's mixed media piece titled 'Delinquency in a room with a brown sofa and an abstract modern floor lamp with big bulbs. A model wearing a cropped jumper and hotpants featuring Kim's textile prints looking off into the distance in an urban landscape. The mesh fence behind her has graffiti on it. Kim's artwork titled 'Love - A Haiku which says 'The bitter part is, knowing we all die someday, how can i bear it?' overlayed on a brick wall background An alternative model wearing hotpants, crop top, and kimono featuring Kim's designs. The image has an underwater feel. The model is alternative with blue dreadlocked hair and facial piercings. On her thigh is a jellyfish tattoo. A mock-up of Kim's artwork titled 'Part of a multi-pack not for resale' featuring 12 individual A4 frames with Kim's logo screen-printed onto flourescent backgrounds Kim's textile artwork titled 'Guilt - The Dark Mother featuring the image of Hindu Godess Kali stood upon Shiva, appliqued on top of her are the words 'No matter how hard I try i'm sure i'll fuck this up somehow' Kim wearing her own designs - a pair of black and white print tracksuit bottoms which look like a QR code - spray painting a wall which is covered in graffiti.
A mock-up of the mixed-media artworks which form part of Kim's first collection titled 'I am Piffy' there are 5 artworks on a clean, white wall of a clean gallery with industrial fittings on the ceiling Kim stood in front of billboards in Bristol for her debut exhibition 'I am Piffy' 2 artworks from Kim's collection titled Pine, on a white wall. The image on the left is a figurative representation of a tree in mixed-media format titled 'Solastalgia' and the piece on the right is a figurative representation of plant roots and soil titled 'Antagony' A mock-up of Kim's artwork titled 'Allegory' which shows an image of a Sphinx surrounded by abstract fluorescent markings. The image is in a room with an orange sofa and cactus. A mock-up of Kim's largescale tapestry titled Prophecy on a gallery wall Kim outside her art studio working on the piece titled 'Antagony' Two pieces from Kim's series titled 'Pine' on a white wall. On the left is a piece titled 'Communion' which is a representation of the mycelium network and on the left is 'Division' a figurative representation of a cell An alternative model posing with a hula hoop, wearing a catsuit and mask featuring Kim's designs. She wears New-Rock boots and a hairclip laden with bullets. A close-up of the stitching details on Kim's artwork titled 'Prophecy' under ultra-violet light. The words say 'Over Hell' surrounded by glowing threads and fabric.
The artwork titled 'Division' from Kim's Pine collection, as it appears under ultra-violet light. The figurative representation of the cell is glowing. An alternative model with white futuristic geisha face-paint wears a Kimono featuring Kim's designs. Her hair is tied into lots of plaited buns. She wears pink tights and trainers. Standing on a white photographic backdrop. Kim's artwork titled 'The Woman' inside a gold frame - a bionic woman with pixellated wings looks back over her shoulder. She is surrounded by gilded binary notations. A model wearing a scaled purple and pink Kimono which is one of Kim's designs stands amongst mossy, clover-covered rocks. She has purple gloves with long orange claws, pixie-shaped ears, and blue hair. On her back, she has purple dragon wings. Kim's artwork titled 'Vanity' which is filled with figurative, abstract, and complex forms resembling eyes, sits on a white wall with a vase of flowers showing in the foreground Models sit under ultra-violet light surrounded by old computers and keyboards. They wear horns on their heads. One has a fluorescent pink wig. They have a cybernetic pattern painted on their faces. The background looks like a futuristic UV maze. Kim stood in front of her artwork 'Antagony' with a baby in a sling on her front. The artwork is on display at Hereford College of Arts for her exhibition 'Everything I ever made, almost' A mock-up of Kim's illustration 'The Seraphim Mudra' on a cream arched wall with a gold frame. Below it are gold cushions. Kim spray painting a wall covered in graffiti with two police women stood behind her on horseback and one of them looks to be shouting at her. Kim is wearing streetwear with her hand in a complex plastic cast. A mock-up of a purple and blue illustration of a polycephalic deity which contains a demon with multiple eyes and tongues, a cat, and a mustached devil A mock-up of two 'head' illustrations - one is a blue head which represents a shaman on a yellow background and the other is a yellow demon with snake tongues on a purple background. The wall behind them is pink and below them are a yellow set of cabinets with various items on top such as books, a lamp, and a vase. Kim's artwork 'Communion' from her Pine collection as it appears under ultra-violet light. The tactile design has luminescent yellow strands poking out of pink mesh contained in a deep dark blue.